Studio journal – a visual diary of sorts, documenting studio life and work in progress since moving into my studio at Yew Trees in August 2020.


Interloper

18 October 2020

interloper

This is ‘Reconstructed Nature IV’ which I put together today having found the final piece – the yellow leaf – whilst out walking Maddie the dog this morning. I’d picked up the other leaves from the garden a couple of days ago and had an idea of the sort of image that I wanted to make but felt it needed something to add to the regimented layout I was thinking of. The yellow leaf gives a contrast of colour, shape and size and is a bit of a cliché I know but sometimes a pattern needs a break in it to make it stronger and draw attention to itself.

Reconstructed Nature prints

15 October 2020

reconstructed nature
reconstructed nature

I’ve printed out some images from my new ‘Reconstructed Nature’ project and reorganised the gallery to accommodate them. I cropped a couple of the close-up images to fit into some narrow frames, these are more abstract but work quite well in this format I think.

Flying sycamore seeds

14 October 2020

no flying sycamore seeds
flying sycamore seeds

A second ‘taped down’ piece on the window with flying sycamore seeds. I put the composition together last week but felt it needed something else so gathered a handful of sycamore seeds from outside, set the camera to continuous shoot and threw the seeds. It took a couple of test shots to get the shutter speed fast enough to capture some movement but not so much that the seeds were too blurred. The final image is a ‘stacked’ photo from eight stills taken from the same throw of the seeds and because the leaves and stems were taped just at their base, the piece was taped upside down on the window. So in the uprighted image the seeds are actually floating upwards…

Window art

11 October 2020

window art
window art

It’s been a busy few days, the highlight being the installation of five pieces of public art in the former tailors in the Hop Market on Foregate Street. The artwork was created in collaboration with artist Cherrie Mansfield and forms part of an outdoor art gallery using the windows of empty shops around the city. We were two of nine artists commissioned by Worcester City Council, Worcester BID and Severn Arts. You can find out about our process and how the designs were created on this page on Cherrie’s website.

Nature reconstructed

8 October 2020

nature reconstructed
nature reconstructed
nature reconstructed

This piece has grown far beyond what I envisaged when I started out, but in a good way. The original composition was intentionally minimalistic with the straight grasses. As well as this full image, I took a number of shots of the details – the lines and the tape, to make some quite abstract images.

The second layer was added to break up some of the lines of the grasses with some less regimented elements but I felt that it then needed a foreground. That was introduced first thing today having harvested some more material from the garden and the compost bin which we share with my neighbour who is a keen gardener — there are often interesting bits of pruning to be found…

I like the introduction of the yellow-green palette, I think it adds another dimension to the image and makes it more pictorial but I am still drawn to the simplicity of the first version of the work.

A day of photography

6 October 2020

A day of photography at the studio today. Just the one visitor so I spent a couple of uninterrupted hours just immersed in the process. Music on loud, the shuffle sequence was perfect, might even have broken out in song at one point… (definitely need to be alone for that!)

The light was shifting constantly between the showers, I was shooting some strands of ornamental grass which I’d taped in position onto a thin sheet of paper which in turn was taped onto the window. It’s a long time since I’ve had the luxury to really explore a subject whilst actually shooting. I usually have a pre-conceived idea of the shot I’m after and that is usually achieved pretty quickly, and it either works or it doesn’t. However it’s only when you carry on shooting and the obvious shots are exhausted, that the experimentation kicks in and that’s when you sometimes stumble across something great, that wasn’t obvious, wasn’t pre-conceived. And that’s what I love about photography; in spite of all the preparation sometimes everything comes together completely by accident.


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